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Archive for the ‘Comedy’ Category

I haven’t seen “The Other Guys.” Like Wahlberg. Like Ferrell. But the trailer looked hideous. Now, however, I might have to break down if the whole movie is like this scene, which seems to be an exercise in who refuses to break onscreen while Ferrell continues to improvise circles around everyone. The entire scene you can see both guys barely holding it together. I’m guessing oh, fifteen, twenty takes to get this exchange?

Case in point: the “Plums” scene in Eastbound & Down. Robinson and McBride are helpless while Ferrell just has his way with them (NSFW).

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Bill Simmons has posted one of the best things he’s ever written on Grantland, “The Movie Star,” which examines both Ryan Reynold’s and Will Smith’s perceived stardom, and the differences with the average fan knowing, definitively, who is or isn’t a movie star. His read on Will Smith seems (for now) spot-on, and I hope the future proves Simmons wrong (and suspect it will).

Simmons on his (and my) complete mystification of all things Kevin James:

I took my daughter to see Super 8 last week … they showed a preview for The Zoo Keeper and she laughed her ass off for three minutes, then said, “I want to see that one!” That’s when the Kevin James Era finally made sense for me. By the way, taking her to Super 8 wasn’t the worst idea I’ve ever had, but it has to rank in the top 10.

I’ve loved Grantland and the Grantland model since its inception- it’s a bold, brilliant move that I think really works: a literary super-team of  writers that sit in their Hall of Typerwriters (they’re all steam-punk and shit with leather codpieces- the atosphere is part City of Lost Children, part Sky Captain) and send out the occasional Mark Twain-style missive that keeps rock bands, NBA stars and terrifyingly aspirational Will Smiths of the world honest. And then, cuddle up in their plasma-ed Man Caves to debate how Pavement’s is the Detlef Schrempf of indie rock albums.

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So there was this adolescent named Adam. He was known in his family for eye-rolling. He was known in his peer group for being a young George Carlin (I’m assuming here that his peer group doesn’t know George Carlin).

Gee, I really could give this a proper introduction, but please spend a few minutes with Adam. You’ll find him annoying and kind of dumb, well, you’ll find him to be everything you’ve always thought was true about a fifteen-year-old boy. Hey, look at that! I gave it a proper introduction afterall.

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Masterfully directed and animated by DC Turner. One of those pieces that reminds me, “Get your ass back to work.”

 

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And would you be sewprissed if I toweld yew, that’s theres no Rudolph MacFroody in the whole countystate of Mississsipi-alabama?

On the first take, John Grisley’s The Trial looks like a really clumsy Danish attempt at the micro-genre of Southern Courtroom Drama. You may experience a period of confusion where it’s difficult to tell who exactly is being made fun of. Is this artfully-crafted schlock or painfully sincere European imitation from the early nineties? Apparently the Swedish comedy collective Grotesco have suffered through as much of our bad tv as we have.

The technique is kinda brilliant in it’s simplicity: the words “how can I defend you if I can’t trust you?” is whimpered by lawyers in approximately 87% of legal dramas. It’s a phrase that should be in a home for battered cliches. Grotesco toys with your recognition of these tropes by showing that you still recognize them, even when they are delivered as near-rhymes or peppered with complete nonsense. The result is shame-inducing: “My god, did I really watch this exact same story that many times?”

Note for note, it is one of the most cutting mockeries of American middlebrow genre work that I’ve ever seen. I can tell you that Part 2 has a surprise ending, and you will still be surprised.

Part 1

Part 2

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You can’t touch the rainbow if your hands are corn-syrup-y lethal.

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The Onion wins again. Genius. Goddamn, they piss me off sometimes.

“I walked up to one of them, tapped on the glass, and the test-tube Big Baby inside opened its eyes,” Allen continued. “I just kind of panicked and started screaming, and then the liquid in the tanks started bubbling and all the Big Babies were screaming in unison.”

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A little story from B-More about getting jumped. NSFW:

A good storyteller is worth his weight in gold. Or pandas.

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Baman Piderman

A tuba eating cakes? That’s crazy!

How I went this long without seeing this series is staggering.

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I don’t know why British people make the best animal voice-over artists. Or why they make Imperial Officers in the Star Wars films seem at once menacing parts of a fascist machine and comically inept choke-donkeys for Lord Vader.

But they’ve got range, man.

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“A million people die in Iraq, and all these people go, ‘Hey, as long as it doesn’t happen over here.’ But it is over here! It’s over here=over there! It’s people you don’t know, who were born somewhere else, who fucking got jacked.

You get trapped in that whole idea of ‘this is my team, these are my people.’ And someone fucking plays a country music song,  and throws up a flag. I’m in. Fuck it. Feels good. Feels good to be in, doesn’t it?”

I haven’t always been a Joe Rogan fan- his Carlos Mencia call-out was pretty epic. But this video definitely puts me in his camp. Do I believe that Obama is equal to Bush? God no. I believe that Obama will be a transformational two-term President. (Who’re the Republicans gonna run? Huckabee? Romney? Pawlenty? PALIN? Please.)

But questions being asked are never a bad thing. And 90 percent of his points are spot-on.

And his points on Eisenhower’s “Military Industrial Complex” speech are so apt as to be goddamn depressing. Roll on, great river, roll on.

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“The cold took her down as it did many of us.”

“Sometimes I feel like a spider, even though I’m a moth.”

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Mafia teamleader: You! Git over there and bound and gag ’em.

Me: Don’t you mean bind and gag ’em?

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I am Christmas-morning-excited about the new season of Eastbound & Down:

I realize that it’ll be hard to duplicate the perfection of the first season, but I’ve got a feeling this one’s gonna be even better. I mean, just look at the damn cornrows: it’s amazing.

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Hey look! The people at Cracked stopped making top 5 lists for Digg and made a really funny little film:

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Even though I’m going through Andrew Sullivan withdrawal, I thought this was a nice summation of current memes:

Simultaneously, the Morlock “I’ll click on anything” side of the Internet and the Eloi “I only read Boing Boing on my iPad” side decide that it’s funny, and indulge the joke. It churns for a day. It wins a place in meme history. And now that we know the joke, it’s over. These concepts are approaching the lifespan of fruit flies while getting us closer and closer to the phony interactivity of Max Headroom. As deodorant concepts go, that’s fairly exciting.

I’m more of a Morlock, “Click on Anything/Hunter-Gatherer”-type. Old Spice Man (as if you haven’t seen it):

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Here’s a little animation I’ve been working on for about a month, using the audio from a stand-up performance I did in January at Room 5 in Los Angeles.

I know. Fourteen curse words in 3 minutes 50 seconds (they are bleeped out in case anyone’s worried ’bout work). I’m not proud of it. But I do think the overall piece turned out ok.

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Ran across these the other day, which are a ton of fun. It looks like Steve creates these in Illustrator, with the random scan of background ink-painted foliage (if he’s doing the ink painting himself, I’m truly impressed).

My favorite is the Han and Chewbacca one.

If you dig this sort of thing, I’d highly suggest checking out Sesshu‘s work. Staggering stuff.

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Dave Grohl needs coffee STAT!

Knowledge Drop:

stat may mean:

  • Stat, an abbreviation of the Latin statim, “immediately”, often used in medical contexts

Yeah! You take your Knowledge, Tommy, or no desert for you!

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Sneaky Gays- Swish It Up:

“Adam Lambert: You’re on the right path, but still too subtle.” That is true. I’m not really sure where Adam Lambert is coming from. With the football shoulder pads and feathers, he does look like he’s about to take the field and drive 70 yards, Adrian Peterson-style, at a moment’s notice. Oh no! What’s he doing? Forcibly kissing a guy? I think I’m supposed to be offended by how much he got in my face about that. Yawn.

I was lucky enough to meet Jane Lynch at a Hollywood premiere a couple years ago (don’t even ask how I snuck into that). I was sauced. She was incredibly nice and personable, much more so than I would’ve been had some drunk idiot been yammering my ear off.

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Ben Folds did a little ode to Merton, The Chat Roulette Guy the other night in Charlotte. I think Merton is the most immediate, apt and artistic response to Chat Roulette, really, which has a bit of Web 1.0 vibe to it- a little dangerous, a little anonymous, random little rabbit holes that you can fall down, yet hopefully don’t end up seeing tons of dude’s junk. The idea of Chat Roulette is both exhilarating and terrifying- like a high-tech combination of visual pen-pals who might turn out to be creepy flashers in the park at a moment’s notice. Not my thing, but hey, whatever pops your kernel.

I do, however, find it fascinating, funny, and touching that Ben Folds is commenting on a guy who basically was doing Ben’s schtick- sort of like an uber-meta comment on a comment. Pop culture is eating itself in a magnificent way- a multicolored, high-bandwith snake eating its own tail daily. It seems to me Ben is both endorsing Merton and elevating him- “Good on ya, man. You hit me with that.”

It reminds me of David Cross doing a cover of the Bank of America Guys doing U2’s “One” as a “convention entertainment” and a grossly inappropriate appropriation of a song (in my view) that’s pretty damn beautiful. Obviously, the Bank Guys were oblivious that what they were doing was disgusting, beyond trite, and just remarkably and staggeringly bad. Cross knew this, and didn’t actually have to parody it; he just did it straight. There was no way to spoof that which is unspoofable- you just let ‘er rip as is, man.

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Eventually, everyone gets a little less intense:

Also:

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James Blagden’s hilarious short about Dock Ellis and his legendary no-hitter on June 12, 1970:

“I’m high as a Georgia Pine” is now cemented in my lexicon, even if I’m only baking Toll-House Cookies.

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My computer can totally do all of this. It’s magical.

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It’s a good holiday:

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Pretty much the greatest thing in the history of the world:

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Just finished reading The Truth by Terry Pratchett, another of his Discworld series. I feel completely embarrassed to discover that he’s been one of the most popular novelists in the UK (probably only barring J.K. Rowling, really) for decades.

It’s a bit how I felt when I didn’t really get the Stones until my twenties. Oh, sure, I liked the Stones, but I didn’t really get them. Then one day I was listening to Miss You on one of those wretched cross-country road-trips where you can only get bullshit classic rock, and it hit me like a ton of, well, stones: “Oh, you —-ing idiot, there’s a reason this band is considered one of (if not) the greatest ever. Because they are. I mean, that bassline alone…!”

Sometimes wisdom takes its sweet-ass time while you’re embarrassing yourself.

The point is, Terry Pratchett can write like very few people can. The fantasy version of Douglas Adams (although Pratchett is actually a few years older than Adams would have been- they were contemporaries) but with more a humanist beauty to his writing- even his evil-doers have a sympathy and forgiving humorous tick to them. And even though many of his endings tie their knots just so, it never feels contrived, forced or trite. It feels as it should be.

That’s quite the slight of hand. And he’s so very English. Which is why he was knighted, I suppose.

In the past couple of years, I’ve read The Truth, Guards! Guards!, Going Postal, Soul Music, and Making Money. Only 33 more to go!

Terry also was diagnosed with Alzheimers in  2007. Anyone wishing to make a donation in his name can do so at Match it for Pratchett.org.

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I’m at the combination-Pizza Hut-and-Taco Bell:

And now, you will have this song stuck in your head as I do.

It’s an odd little ditty: a fun novelty that I can’t decide whether it’s actually good, or some repetitive pop-culture hell-spawn in the vein of “Barbi Girl.” It did make me laugh in my car, a la Tom Green-effect: amuse, annoy, repeat, amuse, annoy, repeat, annoy, repeat, finally laugh at the sheer endurance of it all. (Extra points for the Pac Man sample.)

“You’re just gonna keep going, huh?”

Alright, you wore me down.

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The Greatest Commercial since “Where’s the Beef”:

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